ARTISTIC RESEARCH AND PRACTICE

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​​My practice approaches artistic creation as an ecological gesture. I develop speculative, site-responsive devices that re-situate the human body within its surrounding ecosystems. Situated between speculative design, ecological research, and participatory practice, my work prioritizes action, attunement, and direct engagement over representation. The artworks often take the form of wearables or site-specific installations, functioning as interfaces that make ecological processes perceptible through embodied action. These devices can act as prosthetic ecologies, site-specific sculptural systems that amplify or reveal existing environmental processes; as biophilia toolkits, portable wearables that translate movement and play into small acts of ecological care; or as speculative systems, frameworks that invite radical rethinking of ecological knowledge and context.